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Create a review in the Rush Portal

Submitting content to ClearView Rush

The Rush Portal is where new content comes into ClearView Rush. You create a review, upload the files for it, and then publish it when it's ready.

If you regularly submit content into Rush from outside the studio, you'll be given the Contributor role and work entirely within the Portal — it's where you land when you sign in. Workspace Managers move between the Portal and the main app; the Portal link sits near the bottom of the sidebar.



Add details

In the Portal, click + New Review. Name the review — leave it blank and it takes today's date — then pick the Project and the Review Type.

Why the review type matters

The review type sets how a review is surfaced in the app and what Reviewers can do with it — a dailies reel brings shot sorting and filtering, a cut shows scene descriptions and a scene breakdown. To prepare a review as one of these types, Rush needs the relevant metadata to process it through to publishing. If you don't have that metadata — or you just want a looser, timeline-based review — choose No type.

Add files

Every review needs one or more media files, in an approved format: .mov (DNxHR LB/SQ, ProRes 422/LT, H264, H265) or .mxf (DNxHR LB/SQ).

Cuts and dailies reels also need metadata — it's how Rush interprets the media as that review type, rather than a set of standalone assets:

Review type

Metadata

Cut

Timeline data (.csv) — a scene list with a start timecode per scene. Recommended

Dailies reel

Slate metadata as an ALE (.ale) — required. Clip filenames must match the ALE

No type

None — just the media

Timeline data is a .csv with a header row and three columns — Scene, Description and Start — where Start is the scene's start timecode (HH:MM:SS:FF, HH:MM:SS;FF for drop-frame, or HH:MM:SS.fraction). Each scene runs until the next one's start, and the last to the end of the media. For now, a cut is a single media file.

Slate metadata is a standard Avid .ale. Its header must declare the FPS, and each clip row needs a Name, a Start, and either an End or a Duration. The slate columns — Scene, Take, Camera and circle take — drive the shot strip and its filters. Each clip is matched to its media file by Name.

Add your files by dragging folders or files onto the drop zone, or use the two buttons in its top-right to browse for a folder or for individual files. As each one is added it's sorted into a category and checked — a green status confirms it's been picked up correctly and is the right type.

A scene list is recommended but optional for a cut. Without it, Rush won't stop you publishing — but it can't produce the scene breakdown, and the cut is treated as a single piece rather than a set of named, navigable scenes.

A cut can also carry a continuity report (.pdf), kept with the review for viewers to open alongside the picture. It isn't parsed, so any PDF works.

Coming soon: Cuts split across several media files; Attaching a PDF to any review type, not just cuts.

Check metadata

For a cut or a dailies reel, this step previews what Rush read from your files, so you can catch problems before the upload starts.

For a cut, look over the scene list read from your CSV — each scene's start, duration and description, with the total scene count and running time. If something looks wrong, fix the CSV and go back a step. Once published, the scenes show in the review's details and as chapters in the player.

For a dailies reel, check each clip picked up its slate — scene, take, camera, circle take and shoot date, with the shot/setup/scene totals. A clip with an empty row usually means its filename doesn't match the ALE.

A general review has no metadata to read, so this step is skipped.

If files and metadata don't line up

At Check Metadata, a dailies reel matches each row in your ALE to a media file by name — the clip's Name to its filename. Case and file extension don't have to match, but the names do. Two things can trip this up:

  • A clip in the ALE with no media file. That row shows in bold with a red icon, and an add-file button appears beside it — use it to pick the missing clip, and the reel re-checks. You can't move on until every row has its file. (You can also rename the file to match the ALE and add it again.)

  • A media file the ALE doesn't list. It's simply left out of the reel.

A few other messages you might meet:

  • "No metadata file (.ale) found" — a dailies reel needs its ALE alongside the clips.

  • "Missing CSV fields" — your Timeline data needs the Scene, Description and Start columns.

  • A start timecode "before" or "after" the media — a scene's Start falls outside its clip; check the timecodes.

  • "Mismatched frame rates across files" — every media file in one review has to share the same frame rate.

Transfer

When your files are ready, select Transfer to start the upload. It runs in your browser and shows live progress — the percentage done and an estimated time remaining — with three counters beneath it: Files Uploaded, Bytes Uploaded and Current Speed.

  • Pause and resume. Press Pause if you need to — to switch networks, say — then Resume to pick up where you left off.

  • You don't have to wait on this screen. The transfer keeps running while you move around the Portal.

  • Cancel stops the upload, and its progress isn't saved.

Keep the browser tab open until the transfer finishes. Moving between Portal pages is fine, but closing the tab interrupts the upload.

If your connection drops briefly, Rush retries automatically. If it can't recover, you'll see Transfer Failed"The upload could not be completed. Please try again." — and you can run the transfer again. This is the most network-sensitive part of the process, so if you hit problems repeatedly, contact Sohonet support — it's usually something in the network path worth looking at together.

After the transfer

Uploading isn't the last step. Once your files are in, Rush generates previews for them — the transcoding pass that prepares the media for playback. This can take a while, depending on how much you've sent.

While it runs, the review sits under In Progress in the Portal; once every file has finished, it moves to the Ready tab, where you can publish it. A review can't be published until all its media has been transcoded — so if there's no Publish option yet, previews are still being generated.

You can cancel an import from the review drawer while it's still in progress.

Coming soon: Clearer visibility of these processing steps when you come back to a review — from the review drawer in All Reviews — is on the way.

Publish

Until you publish, a review stays a draft — only you can see it. Once it's through transcoding and sitting on the Ready tab, find it, click Publish and confirm.

What happens next depends on the review's type. If the project runs a workflow for that review type, publishing routes the review into it automatically and shares it with the first stage's audience — there's no separate sharing step. If there's no workflow, the review simply becomes shareable, ready for you to share directly. Either way, it moves to the Published tab.

Publishing can't be undone. Check the project and review type are right before you confirm.

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